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Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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电影该剧以江铭这个卧底警察为线索，展现了一个普通人在光明与黑暗的边缘挣扎的过程。他的堕落和挣扎让观众感受到了人性的复杂和可悲。这部电影深刻地揭示了人性的黑暗和复杂，让观众对人性产生了更深刻的思考。

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拧巴，但真诚。去年的春节档，我认为是有史以来，质量最高的一届，或许是因为三年的沉积，有了一次大爆发。大制作有流浪地球，特效和故事大大大大大超出了观众的期望。张艺谋的满江红，作为一部合格的商业片，异彩纷呈，你不能说这部电影有多好，甚至出的影院，你也没有多少回味，但观影的过程中，体验是好的，而且这个题材，特别全年龄段。无名，程耳是风格化的导演，有梁朝伟的程耳电影，是影迷的心头好，是春节档艺术性最高的电影，如果不是有演员拉胯就更完美了，但没有他可能也没有这么大的投资，只

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电影该剧是一部动作犯罪片，由著名导演王晶执导，张家辉、阮经天、王大陆等一众演员出演。故事讲述了洪泰集团内部一场惊心动魄的斗争，神秘杀手陈安（张家辉饰）和他的两个对手麦朗汶（阮经天饰）和马文康（王大陆饰）之间的较量。这部电影特效精彩，动作场面火爆，是一部值得一看的电影。

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“Thefactis,theideaofawriterkillingherhusbandisfarmorecompellingthanateacherkillinghimself”，影片一直在引导观众去相信谋杀才是事实，或者说大部分观众都会先入为主地相信这一事实，于是我们更会关注女主角是如何利用她小说家的头脑以及法庭上律师之间的巧辩来为自己开脱，在这一过程中我们所能挖掘到的是一条条穿梭在妻子、丈夫、文字创作者、后天致盲的儿子、家人等多重身份之间的矛盾，从一开始就让人进入故事，真的是很名副其实且超出意料的金棕榈。不过觉得引导性太强了，不必再夸